Brutal Barbican on a Brompton

I have always held quite the soft spot for Brutalist architecture, often perceived as a subject of polarising opinion - one either loves it or loathes it. I firmly belong to the former category. Throughout my relatively unchanged residence in London, I have been fortunate to be in proximity to some great examples of this architectural style. The Barbican Centre, a quintessential representation of Brutalism, has always been a favourite and epitomises the aesthetics of this genre. As you might suspect, I possess literally thousands of photographs capturing various angles, times of day and different seasons.

The Barbican estate is a favourite of mine and has been for as long as I can remember. Mrs Orange and I have always liked the location and obviously the architecture, but the various dwellings are just far too small, posing a significant drawback to ever living there. 

The term 'Barbican' derives from the Latin word 'barbicanum', which refers to a fortification or outpost typically used for defence in ancient Roman architecture. In the context of Roman Britain, a barbican would serve as a protective structure, often serving as an entrance to a fortified settlement or a city wall. The Romans were known for their engineering prowess and their ability to construct robust military structures, which included high walls and strategically positioned towers. The remnants of which are still here to see. 

Old Roman bits

A little like the arrow slit of a castle

Its foundations rest upon a site marked by a far darker legacy - namely, the infamous plague pits of the 17th century. These burial grounds served as a final resting place for countless victims of the Great Plague of 1665. The Barbican was constructed, seemingly erasing the history that lay beneath. Yet, the echoes of the past linger, with many residents complex spectral sightings and strange goings on! Recounted tales include disembodied whispers and ethereal figures navigating the corridors and public spaces of the estate. I can honestly say that if I encountered the wailing, running figure several have seen, my wailing would be louder, my running faster!!

Brutalist architecture, a style characterised by its stark, geometric forms and raw concrete materials, has made a significant impact on the architectural landscape of London. A prominent example of this architectural movement is of course the Barbican Centre. The Barbican is certainly Brutal, epitomising the ethos of the movement while simultaneously serving as homes for thousands and a centre for the arts and leisure.

Designed by the architectural firm Chamberlin, Powell and Bon, the Barbican Centre was constructed in the 1960s and 1970s as part of a larger regeneration effort for the area following World War II. The centre, which officially opened in 1982, is a vast complex that encompasses not only the arts centre itself but also residential apartments, a girl’s school, music school and landscaped gardens. 

The physical layout of the Barbican reflects the principles of brutal architecture, with its angular shapes and extensive use of exposed concrete. The raw finish of the concrete aligns with the Brutalist ideology that shuns away from superficial decorative elements in favour of an honest expression of materials.

The City of London School for Girls stands within the Barbican Estate and the pointy bits you can see below are meant to resemble pencils. 

The Guildhall School for Music and Drama has little upside down tuning forks as part of its design. 

Tuning forks

The Barbican Centre is ambitious in scale (34 acres) and intricate in design, which includes a series of interconnected walkways and elevated terraces. What is rather amusing is that despite having visited it for years I remain perpetually lost. This is understandable. It is a little like living in a labyrinth. If I lived there, I imagine I would need someone to place a firm but gentle hand under the elbow and guide me back to where I know in a sensitive and patient fashion!

In terms of functionality, the Barbican Centre serves as a space for the promotion of cultural activities. It houses a theatre, a concert hall, an art gallery, and a cinema. The design of the centre supports its role as a cultural conduit. It reflects the social ideals associated with Brutalism, which often sought to address urban issues through design. 

The centre was conceived as a utopian vision for post-war London, aimed at creating a communal space where individuals from varying backgrounds could converge and share in cultural experiences. However, almost all of the dwellings are privately owned and for their size eye wateringly expensive, if you consider the service charge. I suppose you are paying for the location. 

I am obviously a fanboy of Brutalist architecture, and would go as far as arguing the Barbican exemplifies this movement effectively. I shall continue to visit, capturing countless photographs, and on rare occasions, I may attend a performance at the theatre should something pique my interest. Interestingly, during a cycling ride this morning centred on modern architecture, I encountered various styles, including Brutalism, but ultimately chose to conclude my ride at the Barbican and return home due to prior commitments. It just means that I will have to pay it a visit again!

Until next time, stay safe out there people.